The man behind The Florida Project (one of the year’s best movies) joins Leonard and Jessie for a candid look at his career, which began on public-access television in Manhattan. His last feature, Tangerine, caused a stir because it was shot entirely on iPhones…but it’s the content, not the cameras, that makes these movies so good. (His latest was photographed on 35mm film.) Sean shares the story of his “overnight” success and explains why he thanks Spanky McFarland and the creators of the Little Rascals at the end of The Florida Project.

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Six years ago, a film called Pariah (2011) heralded the arrival of a major new voice in American cinema. Dee Rees has fulfilled that promise with her ambitious new release Mudbound, based on the best-selling novel about two Southern families in the 1940s—one black, one white. It opens in theaters and on Netflix today. Leonard and Jessie spoke with the talented writer-director at the SCAD Savannah Film Festival.

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Richard Linklater is one of the most talented—and unpredictable—filmmakers working today. His new release, Last Flag Flying, is one of his best, but it bears little resemblance to Dazed and Confused, Before Sunset, Waking Life, or his epic Boyhood. What is crystal clear in his conversation with Leonard is that he loves movies and enjoys making them—small or large, mainstream or indie. And as you’ll hear, he also enjoys talking about movies.

For fanboys he will always be Doc Ock in SPIDER-MAN 2. He made an unforgettable big-screen debut in the opening scene of RAIDERS OF THE LOST ARK opposite Harrison Ford...and he hasn’t stopped working since, on stage, film and television. He’s played almost every nationality, but he’s a Brit, as you will hear, and a man of great good humor who is happy to share stories from his long career with Leonard and Jessie.

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