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Maltin on Movies

Legendary film critic Leonard Maltin and his daughter Jessie are the ultimate movie fans. They love talking about movies, especially with people who share their enthusiasm—from living legends like Mel Brooks, Carl Reiner, and Quincy Jones to such contemporary artists as Amy Adams, Viggo Mortensen, Laura Dern, and Bryan Cranston. You’ll meet all kinds of interesting people and hear their recommendations of unsung movies you ought to know.
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Now displaying: December, 2014
Dec 31, 2014
Inspired by the year-end release of Annie & Into the Woods, Leonard and Baron discuss three movie musicals: the cult classic Hedwig and the Angry Inch, another film that made the transition from Broadway to the big screen in a most unfortunate way, and a sleeper about a singing group that is close to Baron’s heart. Tune in next week for part two!
Dec 24, 2014
In celebration of the New Year, Leonard and Baron tackle three enjoyable Food movies: the incredible animated Pixar film Ratatouille, a romantic comedy revolving around two chefs in New York, and a sweet movie about two Italian brothers who own a restaurant in the 1950s.
Dec 17, 2014
In the spirit of the holiday season, Leonard and Baron discuss three Holiday films: the classic Black and White film Miracle on 34th Street, a Christmas movie that doesn’t hit the bullseye, and a continental sleeper that you must put on your list. Along the way, they’ll spread some holiday cheer as they talk about other Christmas classics.
Dec 10, 2014
Triggered by the release of the new DreamWorks animated feature Penguins of Madagascar, this week Leonard and Baron discuss three other feature-length cartoons: a Disney classic that will make you cry, a big CGI movie that looks great but doesn’t do a good job of storytelling, and a unique, wonderfully wacky sleeper called A Town Called Panic.
Dec 3, 2014
Inspired by the release of Horrible Bosses 2, Leonard and Baron return this week to talk about sequels: the good, the bad, and the ugly. They’ll explain why they don’t like the idea of sequels in general, before citing a notable exception, Sam Raimi’s Spider-Man 2. They also discuss a terrible sequel (complete with a bad subtitle), and a horror/slasher sequel that’s improbably good given its pedigree.
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