Andreas was 10 or 11 when he saw Walt Disney’s The Jungle Book and it changed his life. As a boy in Germany he dreamed of working for the studio that captured his imagination so completely… and he made that dream come true. A master animator, he brought King Triton to life in The Little Mermaid, Scar in The Lion King, and Jafar in Aladdin, to name just a few. He never surrendered his pencil, choosing to burnish his skills rather than adapt to computer technology. For most of the last decade he’s been working on an animated film of his own called Moushka. Andreas is that rare artist who has carved his own path and been rewarded for his dedication (and talent). Leonard and Jessie are longtime friends and fans.
Meet four of the creative folks responsible for the animated Netflix hit Love, Death & Robots! In their alternate lives, creator and executive producer Tim Miller directed the big-screen Deadpool and Jennifer Yuh Nelson directed Kung Fu Panda 2 and 3… but this attention-grabbing anthology of animated short subjects has got their juices flowing. The same holds true for supervising sound editors Brad North and Craig Henighan, who treat each episode of the show like a feature film and call on years of experience creating unusual soundscapes. Leonard and Jessie can’t imagine all the work that goes into crafting every installment of this wildly imaginative show.
“Gaslit” is one of the best miniseries of the past year, and it has been rewarded with Emmy nominations for Kazu Hiro, the gifted Japanese-born makeup artist who transformed Sean Penn into former Attorney General John Mitchell… cinematographer Larkin Seiple, whose credits include this year’s indie darling Everything Everywhere All at Once…sound rerecording mixers John W. Cook II and Ben Wilkins, who articulate why creating authentic sound effects make a crucial difference to the film as a whole and their expert audio colleagues Stefani Feldman and Kevin Buchholz, Leonard and Jessie value this opportunity to go behind the scenes and talk to such creative collaborators.
Rick Carter’s credits as production designer are staggering: Jurassic Park, Forrest Gump, A.I., Amistad, Cast Away, Star Wars: The Force Awakens and the two that won him Oscars, Avatar and Lincoln, to name just a few. Yet he remains open-minded and recently mentored eight local artists for an amazing installation at the El Segundo Museum of Art, or eSMOA. That’s where Leonard and Jessie sat down with him to discuss his extraordinary career and the exceptional films he’s helped bring to life.
Show business was always Martin Short’s destination. When he was a boy he wrote TV Guide listings for the variety show he envisioned for himself. Most of his dreams have come true, from television to Hollywood to Broadway. He’s just completed season 2 of Only Murders in the Building for Hulu, costarring his pal Steve Martin and Selena Gomez. If it looks like the stars are having a good time working together, it’s because they are. Both Leonard and Jessie were nervous talking to someone they admire so very much. Their guest was unfailingly thoughtful and good-natured. How could he be otherwise? He’s Martin Short!